Denzong
Norbu: "A painter with a life giving paint brush."
Extrait de la revue Tendrel : Entretien
avec Lama Kunkyab
Tendrel
: Lama Kunkyab,
you worked with the painter Norbu when he came to Le
Bost recently, who exactly is he?
Lama
Kunkyab: Denzong Norbu spent his childhood in Sikkim.
At a very young age he was taught by a painting master
named Rigzin Lhadipa from the Menri tradition, one of
the Tibetan painting schools.
 |
|
When
the 16th Karmapa
came to Sikkim before the Chinese invasion he
asked Norbu to accompany him to Tolung Tsurphu,
the Karmapas' seat in eastern Tibet. There he
studied Karma Gadri art whilst living next to
and carrying out numerous works for the Karmapa.
Then Karmapa fled Tibet seeking refuge in Sikkim
and Norbu as his disciple went to live next to
him in Rumtek. He remained in the Karmapa's service
for over thirty years. His speciality is mural
frescos and he has painted many throughout the
world. He also paints thangkas
for specific orders.
|
Norbu's
devotion towards Karmapa
is immense. He is totally commited to helping to continue
his activity. He is a completely sincere and unambiguous
person.
 |
|
Recently
he has been travelling in order to teach his art,
particularly in Copenhagen, Germany and Russia.
Following this Kunzig Shamar Rinpoche requested
that he come to Le Bost's monastic
hermitage in order to help us with the Temple's
decoration. |
Tendrel:
What did he come to do at Le Bost ?
Lama
Kunkyab: He came essentially to do the great Kalachakra
mandala.It
will be attached to the ceiling and will have a diameter
of over seven metres.
| It's
a work that requires an investment and infrastructure
that at times seem to be beyond our means. During
a visit to Sikkim I met Umdze Ngedon Tenzin who
lives with Norbu.
|
|
 |
He
is now diligently working to help us gather the textual
information which will allow us to make this mandala
a precise reference for future generations. By working
on this mandala we wish to establish a connection with
Norbu for the apprenticeship of thangkas. We will attempt
to make this mandala in a much more traditional way
than the rest of the temple's decoration.
|